Catherine Lamb Morton Feldman and that recording has become

and that recording has become the final piece on the CD

LUFTRAND (literally: air’s edge) leads the three string players with microscopic changes of pitches within the chord structures even further to the edges (‘Rand’) of sound

I saw canon structures everywhere in daily life - it's not just a musical phenomenon

especially the unbridled conflation of economic and political power in the new USA government (which amounts to the abolition of politics as a value based public interaction between free people)

I wanted to try to get lost in the polyphonic thickets

Catherine Lamb Morton Feldman and that recording has becomeCatherine Lamb Point Wave (2015) 37: 30 Interview with Catherine Lamb How did 'Point Wave' come about, and had you composed for guitar before? In 2013 or 14 Cristin had approached me to write a guitar piece for a project he was doing in Chile. I was (am) very touched by his playing. I had composed for guitar as a teenager (which I wont share). My uncle was (is) a very serious and knowledgeable classical guitarist (though he never performs in public as