Paul McCartney: Rearview Mirror: Photographs, December 1963–February 1964 Benedict Clouette which considers both the art

which considers both the art historical context of the works as well as the new meaning they take on within contemporary life

in keeping with the unique context of the venue’s renowned botanical garden

In her large-scale metal sculpture

and associative concerns against a backdrop of debates around AI

prying apart the crack in the “old” plank and sealing it in the “new” one

Paul McCartney: Rearview Mirror: Photographs, December 1963–February 1964 Benedict Clouette which considers both the artThis poster featuring a detail from the photograph Self portraits in a mirror at the Hotel George V, Paris, January 1964 (2025) was produced in 2025, in conjunction with Paul McCartney: Rearview Mirror: Photographs, December 1963February 1964 at Gagosian, Beverly Hills. The exhibition featured thirty six recently rediscovered photographsincluding some previously unseenfrom McCartneys personal archive, presenting a snapshot of Beatlemania as it grew